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'Salem's Lot Taschenbuch – 24. September 2013
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"A master storyteller." —The Los Angeles Times
When two young boys venture into the woods, and only one returns alive, Mears begins to realize that something sinister is at work. In fact, his hometown is under siege from forces of darkness far beyond his imagination. And only he, with a small group of allies, can hope to contain the evil that is growing within the borders of this small New England town.
With this, his second novel, Stephen King established himself as an indisputable master of American horror, able to transform the old conceits of the genre into something fresh and all the more frightening for taking place in a familiar, idyllic locale.
- Seitenzahl der Print-Ausgabe672 Seiten
- SpracheEnglisch
- HerausgeberKnopf Doubleday Publishing Group
- Erscheinungstermin24. September 2013
- Abmessungen13.08 x 2.77 x 20.19 cm
- ISBN-100345806794
- ISBN-13978-0345806796
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Pressestimmen
“[King is] . . . the guy who probably knows more about scary goings-on in confined, isolated places than anybody since Edgar Allan Poe.”—Entertainment Weekly
“[The] most wonderfully gruesome man on the planet.” —USA Today
“Stephen King has built a literary genre of putting ordinary people in the most terrifying situations. . . . he’s the author who can always make the improbable so scary you'll feel compelled to check the locks on the front door.” —The Boston Globe
“’Salem’s Lot was—and still is—a hugely impressive novel. . . . It’s the slowest of slow burns, all hints and drip-feed. . . . When the chaos finally unfolds, it’s a real payoff.” —The Guardian (London)
"Spine-tingling fiction at its best." --Grand Rapids Press
"An unabashed chiller." --Austin American Statesman
“A novel of chilling, unspeakable evil.” —Chattanooga Times
“Peerless imagination.” —The Observer (London)
“A super exorcism...tremendous.”—Kirkus Reviews
Über den Autor und weitere Mitwirkende
Leseprobe. Abdruck erfolgt mit freundlicher Genehmigung der Rechteinhaber. Alle Rechte vorbehalten.
Ben (I)
By the time he had passed Portland going north on the turnpike, Ben Mears had begun to feel a not unpleasurable tingle of excitement in his belly. It was September 5, 1975, and summer was enjoying her final grand fling. The trees were bursting with green, the sky was a high, soft blue, and just over the Falmouth town line he saw two boys walking a road parallel to the expressway with fishing rods settled on their shoulders like carbines.
He switched to the travel lane, slowed to the minimum turnpike speed, and began to look for anything that would jog his memory. There was nothing at first, and he tried to caution himself against almost sure disappointment. You were nine then. That's twenty-five years of water under the bridge. Places change. Like people.
In those days the four-lane 295 hadn't existed. If you wanted to go to Portland from the Lot, you went out Route 12 to Falmouth and then got on Number 1. Time had marched on.
Stop that shit.
But it was hard to stop. It was hard to stop when--
A big BSA cycle with jacked handlebars suddenly roared past him in the passing lane, a kid in a T-shirt driving, a girl in a red cloth jacket and huge mirror-lensed sunglasses riding pillion behind him. They cut in a little too quickly and he overreacted, jamming on his brakes and laying both hands on the horn. The BSA sped up, belching blue smoke from its exhaust, and the girl jabbed her middle finger back at him.
He resumed speed, wishing for a cigarette. His hands were trembling slightly. The BSA was almost out of sight now, moving fast. The kids. The goddamned kids. Memories tried to crowd in on him, memories of a more recent vintage. He pushed them away. He hadn't been on a motorcycle in two years. He planned never to ride on one again.
A flash of red caught his eye off to the left, and when he glanced that way, he felt a burst of pleasure and recognition. A large red barn stood on a hill far across a rising field of timothy and clover, a barn with a cupola painted white--even at this distance he could see the sun gleam on the weather vane atop that cupola. It had been there then and was still here now. It looked exactly the same. Maybe it was going to be all right after all. Then the trees blotted it out.
As the turnpike entered Cumberland, more and more things began to seem familiar. He passed over the Royal River, where they had fished for steelies and pickerel as boys. Past a brief, flickering view of Cumberland Village through the trees. In the distance the Cumberland water tower with its huge slogan painted across the side: "Keep Maine Green." Aunt Cindy had always said someone should print "Bring Money" underneath that.
His original sense of excitement grew and he began to speed up, watching for the sign. It came twinkling up out of the distance in reflectorized green five miles later:
ROUTE 12 JERUSALEM'S LOT
CUMBERLAND CUMBERLAND CTR
A sudden blackness came over him, dousing his good spirits like sand on fire. He had been subject to these since (his mind tried to speak Miranda's name and he would not let it) the bad time and was used to fending them off, but this one swept over him with a savage power that was dismaying.
What was he doing, coming back to a town where he had lived for four years as a boy, trying to recapture something that was irrevocably lost? What magic could he expect to recapture by walking roads that he had once walked as a boy and were probably asphalted and straightened and logged off and littered with tourist beer cans? The magic was gone, both white and black. It had all gone down the chutes on that night when the motorcycle had gone out of control and then there was the yellow moving van, growing and growing, his wife Miranda's scream, cut off with sudden finality when--
The exit came up on his right, and for a moment he considered driving right past it, continuing on to Chamberlain or Lewiston, stopping for lunch, and then turning around and going back. But back where? Home? That was a laugh. If there was a home, it had been here. Even if it had only been four years, it was his.
He signaled, slowed the Citroën, and went up the ramp. Toward the top, where the turnpike ramp joined Route 12 (which became Jointner Avenue closer to town), he glanced up toward the horizon. What he saw there made him jam the brakes on with both feet. The Citro‘n shuddered to a stop and stalled.
The trees, mostly pine and spruce, rose in gentle slopes toward the east, seeming to almost crowd against the sky at the limit of vision. From here the town was not visible. Only the trees, and in the distance, where those trees rose against the sky, the peaked, gabled roof of the Marsten House.
He gazed at it, fascinated. Warring emotions crossed his face with kaleidoscopic swiftness.
"Still here," he murmured aloud. "By God."
He looked down at his arms. They had broken out in goose flesh.
TWO
He deliberately skirted town, crossing into Cumberland and then coming back into 'salem's Lot from the west, taking the Burns Road. He was amazed by how little things had changed out here. There were a few new houses he didn't remember, there was a tavern called Dell's just over the town line, and a pair of fresh gravel quarries. A good deal of the hardwood had been pulped over. But the old tin sign pointing the way to the town dump was still there, and the road itself was still unpaved, full of chuckholes and washboards, and he could see Schoolyard Hill through the slash in the trees where the Central Maine Power pylons ran on a northwest to southeast line. The Griffen farm was still there, although the barn had been enlarged. He wondered if they still bottled and sold their own milk. The logo had been a smiling cow under the name brand: "Sunshine Milk from the Griffen Farms!" He smiled. He had splashed a lot of that milk on his corn flakes at Aunt Cindy's house.
He turned left onto the Brooks Road, passed the wrought-iron gates and the low fieldstone wall surrounding Harmony Hill Cemetery, and then went down the steep grade and started up the far side--the side known as Marsten's Hill.
At the top, the trees fell away on both sides of the road. On the right, you could look right down into the town proper--Ben's first view of it. On the left, the Marsten House. He pulled over and got out of the car.
It was just the same. There was no difference, not at all. He might have last seen it yesterday.
The witch grass grew wild and tall in the front yard, obscuring the old, frost-heaved flagstones that led to the porch. Chirring crickets sang in it, and he could see grasshoppers jumping in erratic parabolas.
The house itself looked toward town. It was huge and rambling and sagging, its windows haphazardly boarded shut, giving it that sinister look of all old houses that have been empty for a long time. The paint had been weathered away, giving the house a uniform gray look. Windstorms had ripped many of the shingles off, and a heavy snowfall had punched in the west corner of the main roof, giving it a slumped, hunched look. A tattered no-trespassing sign was nailed to the right-hand newel post.
He felt a strong urge to walk up that overgrown path, past the crickets and hoppers that would jump around his shoes, climb the porch, peek between the haphazard boards into the hallway or the front room. Perhaps try the front door. If it was unlocked, go in.
He swallowed and stared up at the house, almost hypnotized. It stared back at him with idiot indifference.
You walked down the hall, smelling wet plaster and rotting wallpaper, and mice would skitter in the walls. There would still be a lot of junk lying around, and you might pick something up, a paperweight maybe, and...
Produktinformation
- Herausgeber : Knopf Doubleday Publishing Group
- Erscheinungstermin : 24. September 2013
- Auflage : Reprint
- Sprache : Englisch
- Seitenzahl der Print-Ausgabe : 672 Seiten
- ISBN-10 : 0345806794
- ISBN-13 : 978-0345806796
- Abmessungen : 13.08 x 2.77 x 20.19 cm
- Amazon Bestseller-Rang: Nr. 1.115.661 in Bücher (Siehe Top 100 in Bücher)
- Nr. 1.930 in Thriller über Parapsychologie
- Nr. 24.486 in Suspense-Thriller
- Nr. 27.224 in Horror (Bücher)
- Kundenrezensionen:
Informationen zum Autor

Stephen King, 1947 in Portland, Maine, geboren, ist einer der erfolgreichsten amerikanischen Schriftsteller. Bislang haben sich seine Bücher weltweit über 400 Millionen Mal in mehr als 50 Sprachen verkauft. Für sein Werk bekam er zahlreiche Preise, darunter 2003 den Sonderpreis der National Book Foundation für sein Lebenswerk und 2015 mit dem Edgar Allan Poe Award den bedeutendsten kriminalliterarischen Preis für Mr. Mercedes. 2015 ehrte Präsident Barack Obama ihn zudem mit der National Medal of Arts. 2018 erhielt er den PEN America Literary Service Award für sein Wirken, gegen jedwede Art von Unterdrückung aufzubegehren und die hohen Werte der Humanität zu verteidigen.
Seine Werke erscheinen im Heyne-Verlag.
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Die Leser beschreiben das Buch als spannend und einen Klassiker von Stephen King. Sie loben die tiefgründige und erzählerisch ausgeklügelte Geschichte, die viele Charaktere enthält. Die Qualität des Hardcovers wird ebenfalls positiv bewertet.
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Kunden sind mit der Spannung des Buches zufrieden. Sie beschreiben es als ein tolles Roman und Klassiker von Stephen King. Die Vampirjagd wird als spannend und unterhaltsam empfunden.
"...LEICHTE SPOILER Die Vampirjagd ist spannend und wird in gewohnter Manier des Autors mit zügelloser Brutalität geschildert...." Mehr
"Für mich nach wie vor eines der besten Bücher überhaupt und außer Bram Stokers Dracula, das beste Vampirbuch überhaupt...." Mehr
"Klassiker von Stephen King:)" Mehr
"Super Buch" Mehr
Kunden sind mit der Handlung des Buches zufrieden. Sie beschreiben sie als tiefgründig und erzählerisch ausgeklügelt. Die Spannung der Geschichte baut King geschickt auf und erzählt viele Charaktere.
"...Wer durchhält, wird mit einer tiefschichtigen und erzählerisch ausgeklügelten Geschichte belohnt, die so manche Überraschung bereit hält." Mehr
"...He introduces a lot of characters (and by "a lot" I mean about a metric ton); not only the main ones but also supporting characters which..." Mehr
"...alle Charaktere sehr authentisch sind und die Geschichte dadurch interessant und abwechslungsreich machen. LEICHTE SPOILER..." Mehr
"Now before I tell you anything about the well-thought-out plot or the genuis writing in this book, let me give you this advice: DO NOT READ THIS..." Mehr
Kunden sind mit der Qualität des Produkts zufrieden. Sie beschreiben es als gut und sagen, dass der Autor der beste ist.
"Good, old-fashioned vampires..." Mehr
"Wirklich gut!..." Mehr
"...definitely sensed the despair in the main characters and understood their acting perfectly...." Mehr
"...Not so 'salem's slot. King delivered a great, compelling narration about evil assaulting a small new-england town, slowly tearing it's inhabitants..." Mehr
Spitzenrezensionen aus Deutschland
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- Bewertet in Deutschland am 11. Mai 2025Meine Tochter hat sich sehr über dieses Buch gefreut👍
- Bewertet in Deutschland am 18. Juli 2012Now before I tell you anything about the well-thought-out plot or the genuis writing in this book, let me give you this advice: DO NOT READ THIS BOOK IN THE DARK. I mean it. Stephen King's always had the talent to scare me shitless with his books (except of Dreamcatcher, that bored the hell out of me) but this one is really one of the scary ones.... If you expect gloomy and brooding vampires you're cleary one the wrong path - it's predators we deal with in this book and that's the way it's supposed to be. Don't get me wrong, I love Anne Rice novels and (most of) her characters, but it's good to know there are some people out there who can grasp the animalistic concept of vampires, too.
One of the charms of this book is exactly that. You can discern the dark side from the light in a flash and it makes you want to hunt these vampire bast**** with the good guys and avenge all your fallen neighbours and friends. And that's another thing - You really grow fond of all of these people, not only the good guys but even the ones you wouldn't want as an ideal for your child. This is thanks to Kings writing. He starts concentrating on the two main characters but after a while he describes the whole town - their everyday life from 4.00 to 11.59 and you even get a feeling he even describes the town as an indipendent character. Because you get to know all these characters and their way of life and relationships among each other it's easier to understand what's happening later in the book, how they get turned, who turns them and who they want to turn. As one after another changes sides I definitely sensed the despair in the main characters and understood their acting perfectly.
Another reason why you've got to love the characters is because King writes them pretty authentic. There's no character in this book who hasn't got a little episode with something of his past haunting him or just a simple anectode of better times, they all stick to their rights and wrongs and you get to understand them as the book progresses and you learn more and more about their life in Jerusalem's Lot (some things pretty disturbing).
While the book is fairly good until page 200 you CAN NOT put it down after that. I started it sometime around noon yesterday and had to put it down because I was meeting a friend, but after that there was no stopping me - I finished it at 1.30 a.m. tonight. And was afraid to turn off the lights and see a white face of someone I know starting at me from the window. The pace of this book speeds up around page 200 and it gets far more intense than the previous chapters. You can also sense a change in the characters and their behaviour, especially in Matt as the story advances it's climax but it happens slowly and so credibly you wouldn't believe it otherwise. Sometimes I get the feeling it's too piled on, though, but that's only when I think Matt's talking more like a priest than the priest himself.
Speaking (or writing) of priests: Another thing I've really enjoyed is the old-fashioned way the vampires are seen and can perish - any objections to a good old stake-in-the-heart chopped-off-head and garlic-filled-mouth way of killing a vampire? Well, you've got to know that this book was written in 1975... so there are no light-resistent wannabe vamps (sorry, but I really despise that twilight-crap) and a cross and some holy water is enough to keep you safe for the night. I missed these kinds of vampire-fiction and was glad to find one again.
Allthough their leader could have been a better one. He was old, allright, but he was a little bit too old-fashioned for my taste - his meetings with the townspeople seemed a little bit too unreal for me even though the hypnosis was a good thing, but his speech just wouldn't fit to the rest of the story. It's not so bad in the second half of the book, but it really annoyed me in the first one. Also I think it sometimes gets a little bit too melodramatic, especially towards the end.
The one thing I loved the most in this book is that King linked the fear of vampires and death to the irrational fear of children in the dark. He really did this quite well: He had enough flashbacks to haunted child memories, enough mentioning of monsters in the wardrobe (even by name) and I would like to share a passage of the book that really got me thinking about this:
"Before drifting away entirely, he found himself reflecting - not for the first time - on the peculiarity of adults. They took laxatives, liquor or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic; the job, the money, what the teacher will think if I can't get Jenny nicer clothes, does my wife still love me, who are my friends. They are pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and that is called adulthood. [...] Such is the difference between man and boys." (Stephen King, Salem's Lot, page 372/373)
This is the passage that got me falling for Mark Petrie, the only child in our little group of survivors, and even though he's not on the first place (that's Jimmy) in my ranking he's definitly one of my favortive characters in this book. I loved the Houdini-Stunt he pulled....
Summing up I can really recommend this book either if you have never read Stephen King before or are a huge fan (although you probably read it anyway if you are) and do yourself a favour and switch on the light.
This review is also feature on [...]
- Bewertet in Deutschland am 24. Mai 2014Stephen King ist bekanntlich der Meister der Horrorgeschichten - und der Titel scheint nicht unverdient zu sein. In 'Salem's Lot legt er eine Vampirgeschichte vor, die mehr Schrecken durch die gruselige Kleinstadtatmosphäre als durch die tatsächlichen Wesen der Nacht verbreitet.
In 'Salem's Lot geht es in erster Linie um eine kleine Stadt - Jersualem's Lot - dessen Bewohner und deren Gewohnheiten detailliert dargestellt werden. Die Routine dieser kleinen Stadt wird erschüttert, als Ben Mears - Schriftsteller mit traumatischer Vergangenheit - auftaucht und bald darauf Kinder vermisst werden. Der erste Verdacht fällt natürlich auf den Außenseiter, doch bald ist klar, dass nicht Ben am Verschwinden der Kinder Schuld ist und auch sonst scheint einiges in 'Salem's Lot schief zu laufen.
Die Spannung der Geschichte baut King sehr geschickt auf. Zu Beginn wird sehr genau beschrieben wie das Leben in 'Salem's Lot abläuft, die einzelnen Bewohner werden nach und nach vorgestellt, sodass man ein recht gutes Gefühl für die Eigenheiten der Stadt bekommt. Und es sind genau diese detaillierten Beschreibungen, die es dem Leser ermöglichen, die Veränderung in der Stadt und bei den Menschen festzustellen. Nach und nach verändern sich die Bewohner, Routinen werden nicht mehr eingehalten, Familien verstecken sich tagsüber in Schränken und unter Betten ... Dabei ist jeder so sehr mit seinen eigenen Problemen beschäftigt, dass niemand die Veränderung in der Stadt zu bemerken scheint. Doch irgendwann lässt sich die Wahrheit nicht mehr leugnen - das Böse lauert in der Stadt.
Eine der gruseligsten Szenen ist wohl jene zu Beginn, als zwei Brüder sich abends durch den Wald auf den Heimweg machen und dann von etwas angefallen werden - ohne, dass man erfährt, um was es sich handelt - es dauert eine Weile, bis alle Geheimnisse der Stadt aufgedeckt werden.
'Salem's Lot ist sicher nichts für schwache Nerven, doch so mancher Gewillter lässt sich vielleicht von der Seitenzahl und den detaillierten Beschreibungen abgeschrecken. Wer durchhält, wird mit einer tiefschichtigen und erzählerisch ausgeklügelten Geschichte belohnt, die so manche Überraschung bereit hält.
- Bewertet in Deutschland am 27. August 2017Yes. This is definitely still one of my favourite books.
But be aware: this book takes its time before anything actually happens, so you'll need a bit of patience. And I'm talking about pretty much half the book here, so consider yourselves warned.
Stephen King uses roughly the first half of the book to establish some kind of every-day-life-routine for Salem's Lot and its people. He introduces a lot of characters (and by "a lot" I mean about a metric ton); not only the main ones but also supporting characters which don't always play a larger part, but still pop up now and then, and just add to the "this is a small-town community feeling", imo. The characters are not all likable (tbh, most of them aren't), but then, you have many of those in RL small towns, too, so...
Anyway. Yes, this book is off to a slow beginning, but the story itself is beautiful. Long, heartbreaking, creepy and brutal, but beautiful nevertheless. It might remind you of Bram Stoker's "Dracula", but at the same time it's completely different. (And the best thing of all? Those vampires don't sparkle in the sunlight. They are good old-fashioned vampires who just want your blood by all means necessary, and consequences be damned!)
You won't get to keep all your darlings. A lot of them will die. (If they're lucky.) And I still think of "Salem's Lot" as one of my favourite books. Knowing me (as some of you do), this is a rare occurrence indeed.
Spitzenrezensionen aus anderen Ländern
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GerardoFBewertet in Italien am 16. September 2019
5,0 von 5 Sternen Bella edizione Kindle
Formatieren: KindleVerifizierter KaufNon mi soffermo sul libro, tanto conosciuto da rendere superflua ogni recensione. L'edizione Kindle merita un ottimo giudizio: belle (anche se pochine...) le fotografie, ottima la parte finale con le "deleted scenes" del manoscritto originale.
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MulletBewertet in Australien am 16. Dezember 2024
5,0 von 5 Sternen I need more books.
First, product description: Book arrived in perfect and untainted condition. All 751 pages.
Included were: Salem's Lot, the bulk of the novel, followed by One For The Road (loved that addition), and Jerusalem's Lot, the prequel to it all. On top of that, novel also comes with the "deleted scenes", offering glimpses into the parts that were chopped out or changed.
As for the story: I don't like vampire horror. Nothing against it, it just has never done anything for me.
I mean... HAD never done anything for me.
I was not scared or any of that, but I was gripping the book, reading intently and polishing it off within two days, left only with a vacant feeliing of "What now?" when I was done.
The answer to my question was: More books. Get more books.
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AndreBewertet in Brasilien am 3. August 2018
5,0 von 5 Sternen Melhor livo do S. King (dos que eu já li)
Não sou um leitor voraz do S. King, mas já li uma 1/2 dúzia de livros deles, principalmente os mais épicos e fantásticos (Dark Tower, The Stand), mas esse livro foi o meu preferido dele até então (e talvez um dos menos fantasiosos - ainda que trate de criaturas sobrenaturais). Claro que ele mantém um pouco daquele estilo narrativo horizontal típico dele (descrevendo detalhes da vida de personagens que não têm importância alguma para a trama do livro), mas talvez por ser mais curto ou por ser um dos primeiros livros do autor, essa leitura me pareceu bem mais fluída
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HuzziBewertet in Indien am 8. September 2024
5,0 von 5 Sternen A Timeless Classic Resurrected: A Review of Salem's Lot (Reissue)
Stephen King's Salem's Lot is a horror masterpiece that has captivated readers for decades. This reissue edition is a must-have for fans of the King's work, offering a fresh look at a timeless tale of terror.
The story follows a small Maine town as it is plagued by a sinister vampire. King's writing is both chilling and evocative, painting a vivid picture of the town and its inhabitants. The characters are well-developed and relatable, making it easy to become invested in their fates.
What sets Salem's Lot apart is its ability to build suspense and tension. The atmosphere is thick with dread, and the reader is constantly on edge, waiting for the next horrific event to unfold. King's masterful storytelling ensures that the story never loses its momentum.
The reissue edition is beautifully packaged, with a striking cover design that captures the essence of the novel. The print quality is excellent, making it a joy to read.
If you're a fan of horror, or simply looking for a gripping read, Salem's Lot is a must-read. This reissue edition is a perfect opportunity to experience this classic novel in all its glory.
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Ms S. DempseyBewertet in Großbritannien am 24. März 2011
5,0 von 5 Sternen FANG-tastic
I first read this under the duvet at the tender age of fourteen and have re-read it many, many times over the last two decades, which should give you an idea of just how much I love this book. Although only his second publication, Salem's Lot is King at his very best. There's just so much I love about this book, from the descriptive prose, to the way it gave me nightmares after reading it for the first time. This was the book that first ignited my fascination with horror novels and is the one against which all others are judged (by me at least).
I love the way that King brings each of the characters to life, whether they are major or minor players in the story. I love the way that all of the characters are just so believable, with none of the heroes being too perfect and invulnerable. Yes some of them are caricatures, but they are caricatures of people that you would see in any small town, which adds to the sense of foreboding throughout the book. Anyone who has lived in a small town will be able to recognise someone they know, whether it be the priest that likes the bottle a little too much, or the local gossip. Because the characters are so familiar it makes caring about what happens to them extremely easy, which again pulls me into the story.
I also love the way that the story develops, almost as soon as I start reading I find myself hooked and the pace picks up relentlessly until I reach the last page. This is a book that I genuinely find hard to put down once I start reading it, there's not one point where I don't want to know what happens next, (even though have read it countless times, I already know what happens next). And I'm never tempted to skim, flick a few pages ahead or (god forbid) take a peaky look at the final page. Out of all the hundreds of books I've read, in all the different genres, Salem's Lot is by far my favourite, and while others may find it strange, for me this book and the characters within it are almost like old friends.
It's no spoiler, to tell you that this is a book about vampires, my copy has a picture of a vampire on the front. But to me this is about far more than just the vampire (who is fantastically written, with just the right amount of mystery about him). For me the vampire is only a part of the horror, it's hard to explain, but it was the realisation of how easily a town could die that hit me, even at the tender age of fourteen. The mark of a good horror is when it's not so fantastical that it can no longer plant the little seed of possibility into your mind. As a sane, adult, I know that vampires don't exist, but Salem's Lot is so well written that I am able to suspend belief for the time that I'm reading.
In a world that seems full of books and films about `good' vampires who have human emotions and can walk in daylight, Salem's Lot is a completely different kettle of fish. In this book, the rules governing vampires are of the old-fashioned variety, which means this is a far scarier read. Looking back, fourteen was probably a little too young to read it for the first time, especially as I have a very vivid imagination. There are a few points within the pages where deaths are very vividly described, but funnily enough I didn't find them as disturbing as the book as a whole. It was the premise of how easily a town could be taken over by the un-dead that really disturbed my sleep, not the descriptions of the un-dead rising.
And so down to the crux of the matter, would I recommend Salem's Lot and if so who to? The answer is of course a resounding yes, in my eyes this is the ultimate horror novel, and by far the best of King's works. Although some of the background is a little dated (this was first published in 1975), it's still very easy to immerse yourself in the story. But as to the question of who I would recommend the book to, well I will say that fourteen is probably too young, but any horror fan of about sixteen and over should definitely add this to their reading list (why haven't you read it already). And if you're a Twilight fan, then why not read a book, where the vampires aren't all lovey-dovey. As with all of King's books, I would also recommend this to anyone who has read his Dark Tower series. In fact, I would say that in this case this is required reading, as it fills in the back story of a very important character in the later books.
So, I'm giving Salem's Lot a blood-sucking five stars out of five, simply because it is not only my favourite King novel, but it is also my all-time favourite horror novel.